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About

When I look back at my childhood, I still remember playing among the mills, the butane pumps and other jewelry-making artifacts. I saw my father and uncles come to the workshop that was my house, week after week, with suitcases in hand. Every Monday, they would say the same phrase “material has come” and our workshop master – about 15 of them – would be called one by one to receive their share of the material, which would be turned into precious jewels days later.

Each gram of material was full of heavy stones that needed to be crimped. My mother would often send me to the local hardware store to buy 320 and 400 caliber sandpaper as well as other tools that our staff required to finish their work.

 

Every week the same process was repeated - melting, rolling, welding, crimping ... With young eyes I watched those men with fat bellies and sticky fingers creating pieces as if they were a delicate sculpture; without realizing it, I had learned the jewelry trade.  

It was there, growing up between gold and precious stones, that I realized that metal has no value; gold, silver and diamonds are nothing. For something to be valuable, it must have a spirit.

It was there, living the everyday, growing between gold and precious stones that I realized that the metal has no value, gold, silver and diamonds are nothing, I realized that for that matter has value must equip a spirit, and the way is alchemy, transforming and transmuting these rich ideas and thoughts into a higher vibration, with the magical energy that will shine forth with its own light.

 

Photo: Alain Genest

Born into a family of jewelers in the city of Bucaramanga, Colombia, Eduardo Arenas began his career at an early age. He created his first pieces in his father’s workshop before his 18th birthday. Shortly afterwards he majored in music where he specialized in bass and electric bass.

At 23, he settled in Spain where he toured around the country with various groups as a professional musician. He went on to study artistic jewelry at the School of Art of Zaragoza, Spain and after obtaining his degree, moved to Paris to pursue his career as a jeweler.

His experience grew as he worked for some of the most well-known houses in Place Vendome.

It’s here in Paris, in a loft overlooking the Eiffel Tower, that he began to create his first collection.

 

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